Spacy
Guest post from Kirk Gee
Motorcycles are cool. That's a simple fact- from T.E. Lawrence on his Brough to the classic outlaw chopper, the ferocious streetbike, the renaissance of Scramblers and street trackers to my mate Andy running his lovingly maintained T150 around Minneapolis in the short riding season, it's all cool with just a frisson of danger. Open any of the nearly 50 issues of this very publication randomly and you'll find cool. The scooter however, is a more difficult proposition. Sure the Italian versions are as classically stylish as it gets and the utterly mad Eastern European variety are decidedly cool, but the bog standard mass produced commuter version? That's a hard sell, but for a time in the mid 1980s Honda and their advertising crew did it with aplomb.
The CH series, introduced in the early '80s (called the Elite in the US and the Spacy elsewhere) were the cutting edge of scooter design (Liquid cooling! Digital dashboard! Retractable headlight!) and Honda's advertising went all out with a suitably Futuristic New Wave campaign featuring some unimpeachably cool musicians. What 80s America made of none other than Miles Davis basically ignoring the product he was selling I don't know, but it's utterly fantastic.
It was the 80s, and it really doesn't get more tongue-in-cheek New Wave Futuristic than Devo, who had also hawked other top tech of the era like Laserdiscs and looked perfectly at home on the step-thrus.
Everything but ordinary indeed. Much of the look of the commercial is thanks to editor Lawrence Bridges, who worked on Michael Jackson's 'Beat It' video and who brought a contemporary aesthetic and an awareness of French Nouvelle Vague cinema to a scooter ad featuring none other than Lou Reed and 'Walk On The Wild Side'.
[This Lou Reed ad keeps getting taken down from YouTube, so apologies if the link is dead]
Bridges took badly shot, over exposed footage and made it into a wonderfully kinetic minute long film that manages to capture the feel of pre-gentrification Lower East Side New York and doesn't even show the product or star until the last 8 seconds. It still looks fantastic and managed to completely upset all Lou's 'serious' fans. Honda weren't done yet though, and of course peak 80s madness with Grace Jones is utterly perfect.
Grace is magnificent and why wouldn't you buy whatever she tells you to buy, even when Adam Ant is involved.
It was all for mainstream television of course, and this seemed risque enough that a 'clean' version without Grace having a nibble on Adam's shell-like ear was available too. It's all wonderfully odd and fantastic, much like the bikes themselves which around this time went fully futuristic and became the CN250 aka the Helix, still in production in Japan and even raced on the Dirt Oval at times... Photo: Serge Faberge
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낮에 시간이 부족한 분들이 추가적인 경제활동을 알아본다면 저녁 시간대의 다양한 일자리를 비교해 볼 수 있습니다. 일정에 따라 낮과 밤의 밤알바 시간을 나누어 활용할 수 있다는 장점이 있습니다. 다만 늦은 시간 이동과 근무환경을 충분히 확인한 뒤 지원하는 것이 바람직합니다.
일상 속에서 충분한 휴식 시간을 확보하기 어려운 분들에게 편리한 방법이라고 생각합니다. 이동 시간을 줄이고 원하는 공간에서 출장마사지 편안하게 이용할 수 있어 시간 활용성이 좋았습니다. 업무나 활동으로 피곤한 날에도 무리한 외출 없이 휴식에 집중할 수 있다는 점에서 활용 가치가 높은 서비스였습니다.
일자리 선택에서 시간과 거리, 급여를 함께 비교하는 것이 중요하다는 점을 다시 생각하게 하는 정보였습니다. 밤알바 정보를 확인하면서 저녁 시간대의 다양한 근무 조건을 살펴볼 수 있어 유용했습니다. 개인 일정에 맞는 근무 시간을 정하고 업무 내용과 출퇴근 조건까지 함께 확인한다면 보다 효율적으로 시간을 활용하면서 자신에게 맞는 근무 환경을 찾을 수 있을 것 같습니다.
바쁜 일상 속에서 편안하게 휴식을 취하고 싶을 때 이용하기 좋은 서비스라는 생각이 들었습니다. 특히 방식은 이동 시간을 줄여주고 원하는 공간에서 출장마사지 유롭게 관리받을 수 있어 편리합니다. 일정이 촘촘한 날에도 부담이 적고 피로한 몸을 편안하게 정돈하는 데 도움이 되어 만족도가 높을 것 같습니다.